Try these examples: Bubblegum Sans, Graduate, Scope One, Space Mono Just bear in mind that the versatility of a large type family could still be useful as you make fine adjustments to the text in a short-run project. You could even choose a font with a single weight if you think it’s right for this particular task. Try these examples: Alegreya, Alegreya SC, Merriweather, Merriweather Sans, Roboto, Roboto Condensed, Work Sansīut if this is a short-term project (like a poster, album cover, or logo) you might not need extra weights, or the condensed and extended versions of a font. Large families make branding easier because sticking to a single font over time ensures that you'll be able to handle different situations without having to add another font into the mix. Your best bet for covering those different needs is to choose a large type family that includes a variety of weights, styles, and variants like small caps and ligatures. By starting with what you already know, then thinking through the following considerations, you’ll find a font that meets your needs.Īre you starting something that could go on for a few months or even years, like a magazine, or is it a one-off project, like a slide deck, logo, or presentation?Ĭhances are that a large, long-term project (like a periodical or newsletter) will have a variety of different typographic needs over time.
There’s a lot to think about, sure, but some of the most important considerations are the practical and functional features of the project. And if the font comes in a range of different styles (like italics or small caps) and weights (from hairline to ultra-black), it’ll offer more tools to fine-tune the design as the project comes together. Some font families are large enough to include international scripts and special characters. Certain fonts work best in headlines, while others read well in paragraphs. These needs are not only aesthetic, but also technical and functional-and there’s only so much you can tell from snippets of text as you scroll through a dropdown menu from Alegreya to Zapf Dingbats. Whether you find these words inspiring or intimidating, the plain fact is that the right typographic choice always reflects the specific needs of the project itself. Typography “exists to honor content,” according to Bringhurst, and when it’s done well it “reveals every element, every relationship between elements, and every logical nuance of the text.” Turn to the writings of Robert Bringhurst, whose Elements of Typographic Style has served as a sagely reference text for decades, and you’ll find a high-minded articulation of the craft. These are H1 (heading 1), H2 (heading 2), H3 (heading 3) and the body text or paragraph.If you get it right, typography can be incredibly powerful. For example, when using Squarespace version 7.0, you can change the fonts for 4 different headings/body text. However, it isn’t just enough in choosing the right font, but you need to pair the fonts well too. You only have about 8 seconds to make a positive impact on your visitors! You want to choose font styles that speak out to your ideal clients and compliment the colours and images on the site really well. In minimal design, choosing the right site styles is crucial.
#Proxima nova font pairiong how to#
In this blog post we take you through and list some of our favourite web design fonts that are nice and clean in design, as well as how to change and edit your fonts on Squarespace when it comes to designing your site. There are some really nice minimalist web design fonts to choose from on Squarespace. You want to choose well to represent your business, and the type of font can make or break your design. It can be daunting working out what the best Squarespace font pairings are, when designing a beautiful and minimal website.